形意拳十二形的舞台形态：从严庆谷的表演中寻绎郑法祥悟空戏主体动作结构

Stage Form of Xingyi Quan: Looking for the Main Movement Structure of Zheng Faxiang's Dramas of Monkey King from Yan Qinggu's Performance

投稿时间：2016-07-03

DOI：

中文关键词:武术悟空戏郑法祥形意拳十二形

英文关键词:wushu drama ofMonkey King Zheng Faxiang Xingyi Quan twelve animals

基金项目:

作者	单位	E-mail
乔冉	自由撰稿人	qiaoran2014@126.com

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中文摘要:

以民族志的调查方法为主、历史文献研究法为辅，从猴图腾所蕴含的尚武精神入手，分析了京剧武丑严庆谷郑派悟空戏主体动作的结构及缘起：郑法祥编戏之初吸收了猴拳、通背拳、八卦掌的招式，并主要将形意拳中的十二形招式汇聚到猴形，构成了郑派悟空戏的主要身法。

英文摘要:

This article is mainly based on the survey of the national records and is supplemented by the method of document study.Starting from the militarism implied in the Monkey Totem, the paper analyzes the main movement structure and origin of Zheng Faxiang's dramas of Monkey King performed by Yan Qinggu, a military comedian of Beijing Opera. While creating a new drama, Zheng Faxiang studied the moves of Monkey Quan, Tongbei Quan and Eight-diagram Palm and converged the moves of 12 animals in Xingyi Quan into the movements of monkey. Thus Zheng created the main moves of his dramas of Monkey King.

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